



View all images »
|

Merit Award
Powerhouse Museum Wayfinding and Graphics
Location
Sydney
Client
Powerhouse Museum
Design
Frost Design
Design Team
Vince Frost (principal in charge), Carlo Giannasca, Joanna Mackenzie, Siobhain Murphy, Quan Payne
Fabrication
Consolidated Graphics (sign fabrication and installation), 3M (vinyl), Dulux (paint)
Photos
James Cant
Sydney’s Powerhouse Museum is an iconic facility sited in an old power
station. Since opening in 1988, the museum’s original wayfinding system had
been added to many times, becoming fragmented and no longer meeting
functional requirements or communicating the appropriate image for a
contemporary, dynamic museum.
Frost Design was invited to design a new internal wayfinding system,
integrating identification and directional signage to facilities, temporary
exhibits, and the museum’s permanent collection.
The team created a family of bold, dynamic signs, distinct from the
exhibition signage system, that references the building’s industrial history
and captures the essence of a modern design museum.
The team’s research showed that one of the major issues with the existing
system was that it did not answer basic visitor questions (What’s here?
What’s of interest to me? Where do I go?). To address these questions, the
team designed a major building directory in the entry foyer, listing all
exhibitions and facilities. They also created “must-sees” for people with
limited time to visit.
The five-story building has various entry points for different visitor
groups, making navigation a major issue. By masterplanning typical visitor
journeys, the team was able to identify and position new signage in
appropriate locations for specific audiences.
They renamed the main entry level “Ground” and established a bright,
distinctive color for each level. To work with the detailed interior color
scheme, signs were designed with large white fields as a canvas to hold
wayfinding information. Simple white monolithic blocks were color-coded to
the floor level. As a locating principle, wherever possible, signage was
applied to the building fabric rather than cluttering up circulation routes.
The clarity and visibility of the signs help orient visitors in the vast and
complex building.
Designers leveraged the building’s heritage by using the original names of
the distinct building volumes (Turbine House, Engine House, Boiler House,
etc.) in wayfinding. Graphic applications are distinct chevron bands and
large-scale stenciled floor numbers, also referencing the industrial
machinery of the site’s past.
Graphics were designed to be big, bold, and visually appealing to all
audiences. Spaces were activated through the playful use of large-scale,
colored words and numbers applied directly to walls, ceilings, and the
undersides of stairways.
Jury Comment
“A perfect example of graphics activating the environment. Stencil type
works perfectly and coloring provides stimuli and identity strength. Good
information speed.”
“Powerful signage for a powerful space. Great use of pylons and bold
typography to define the program. Nice, clear solution using oversized type
and color to define various levels.”
|