SEGD

Society for Environmental Graphic Design The global community of people working at
the intersection of communication design
and the built environment.

image for Miami Project Lobby Art Glass & Dedication Signage image for Miami Project Lobby Art Glass & Dedication Signage image for Miami Project Lobby Art Glass & Dedication Signage

Honor Award

Miami Project Lobby Art Glass & Dedication Signage

 

Location

University of Miami, FL

 

Client

The Miami Project

 

Design Firm

Christina Wallach + the Wallach Glass Studio Inc., Santa Rosa, CA

 

Design Team

Christina Wallach (Principal in Charge), Supreeya Pongkasem, Alex Grey, David Gutting, Tenaya Wallach, Arlene Rhoden, Virginia Allen, Patty Aguirre, Dean Perkins, Rich Honsa, Charles Rinn

 

Fabricators

Wallach Glass Studio

 

Consultants

Robert Davidson Architectural Plastics, Margot Silk Forrest, Supreeya Pongkasem

 

Photographer

John Sutton

 

A connected series of crystal dedication and donor recognition plaques greet you on entering this state-of-the-art research and rehabilitation facility and institution for the cure of paralysis. Transparent and luminous panels create the inspirational message and story of the profound endeavor of the project. Words and lines flow through the building and express the importance of connectivity in all its meanings, especially in the healing of spinal cord injury. The most striking feature of the space is the freestanding art glass sculpture in the center of the lobby. The designer used a very powerful and deeply conceived painting image by artist Alex Grey, representing hope. Visually, it is a beautiful metaphor for the human spinal cord. Executed in deep carved, neon edge-lit crystal in three layers and surrounded by a transparent protective curved glass "sheath" handrail, the freestanding piece is carved with names of the founding members and supporting donors.

 

Jury Comment

"This glass sculpture is an incredible centerpiece to the lobby, immediately drawing the eye to the core. The five filaments inside serve as a strong metaphor for human nerve bundles, while the information on the lower half of the cylinder is elegantly presented, without interfering visually with the sculpture's organic aesthetic. Subdued displays on the perimeter of the round room provide supplemental information but don't detract from what's clearly meant to be the focus of the space."