Tate Modern teams with Bloomberg on a pioneering digital arts project that creates a new kind of customer experience in the museum. See projects like this at Xlab 2014 November 6 in New York!
Daniel Meyers is a creative director and architect. Traci Sym is an experience design director and performer. They’re a dynamic duo at Second Story, the Portland, Ore.-based interactive studio (part of SapientNitro) that merges digital technology with spatial architecture and narrative storytelling. Join them at Xlab 2014 Nov. 6 in New York!
Tell us a little about Second Story. What sets it apart from other studios? What is the “Second Story”?
By Justin Molloy
By Lynne Bernhardt
We were astounded by the creativity and enthusiastic participation of all our members who took part in Design Improv(e) during the 2014 SEGD Conference in Atlanta.
By Clive Roux, CEO
You all know the feeling: While you are in the thick of things, it does not seem as if much is moving. That is until you have a moment to stop and look back on where you have come from. That is the kind of summer SEGD is having.
Work for the Cardwell Foreshore includes wayfinding signage and environmental graphics, part of redevelopment after Cyclone Yasi's devastation.
This new book features more than 50 of the world's leading graphic designers and illustrators who open up their private sketchbooks to offer a rare glimpse of their creative processes.
The "hand" serves as a visual metaphor of Index Ventures’ qualities – subtle, supportive, and sensitive, but also inspiring, vital and versatile.
To complement the museum's newly renovated plaza, Entro developed a wayfinding program carefully integrated into the architectural and landscaped environment.
SEGD's List of relevant links from the web.
Business Week reports on the development of feedback systems in retail that mirror the development of web analytics 10 years ago that will lead to the design of new interfaces and engagements between people and organizations in the environment that are compelling and measurable.
Year-over-year large-format commercial LCD display shipments in the U.S. have increased for eight consecutive quarters going from 10% growth in 2012 to 20% in 2013 to 33% in the first Quarter of 2014.
This is of significance to XGD only because it represents a milestone in the use of 3-D printing that we should be aware of. If it can be done in a car that saves the production of 400 separate parts, imaging what it can do for you?